The Miami Herald December 10, 2004
by Frank Calzon
What a thrill to learn that members of Washington’s prestigious Corcoran Gallery were ”curious about the real Cuba and its people.” How discouraging to discover that their curiosity was limited to a $70-$90 evening of propaganda — a reception, film and ”firsthand” conversation with Section Chief Dagoberto Rodríguez about U.S.-Cuba relations.
Scheduled for the last day of November, in the elegant, grand ballroom of the Cuban Interests Section, the soiree was ultimately postponed after Cuban Americans complained and the media took an interest. A spokesman for the Corcoran told the paper that its real purpose was ”to have a dialogue about art.”
Having a dialogue of any kind with Fidel Castro’s regime is difficult, if not impossible. Ask the European Union whose ”common position” of opening its nations’ Havana embassies to all Cubans, including dissidents, has led to a diplomatic crisis. Ask any of the Latin American or European presidents who have tried engaging Castro only to be rebuffed as ”interlopers,” ”traitors,” ”fascists” or ”bootlickers” of the United States. Or ask Cuba’s bishops or members of Cuba’s courageous human-rights organizations. If the Corcoran is ignorant about ”the real” Cuba and Cubans, it must be by design.
The regime’s bankruptcy, cruelty and tyrannical nature have been well documented. Before befriending Castro’s diplomats, did the Corcoran ask any questions? Consult any of the four Cuban-American members of the House of Representatives? Contact Florida’s Cuban-American senator-elect?
When I initially heard about the Corcoran’s curiosity about Cuba, I was elated. I thought Corcoran’s voice might be added to those of Amnesty International and the growing number of world leaders, including former Czech President Vaclav Havel and John Paul II, who have urged Havana to cease its repression, release its political prisoners and reform.
To my dismay, I found the Corcoran dancing down the same discredited path taken by the Western elites who remained silent about Stalin’s gulags while dropping dollars on his henchmen and traveling to Leningrad to bathe in the splendor of its museums and enjoy Russian ballet. Since then, many have discovered the basic human decency of distancing themselves from murderous rulers. To their credit, U.S. cultural institutions did not lend their names to the likes of Augusto Pinochet, and their response to the South African white supremacist regime was not to engage in artistic ”dialogues” but to demand that apartheid be dismantled.
Why not focus curiosity about Cuba on the issue of artistic freedom? Only a few days ago, a group of Cuban dancers and musicians sought artistic asylum in Las Vegas where they are performing. The reality is that Cuban artists and intellectuals run the risk of Cuban government reprisals and long prison terms if they are unwilling to remain silent about Havana’s repression and a despicable apartheid that denies Cubans access to hotels, beaches, restaurants and clinics set aside for foreign tourists.
In the United States people meet, talk and associate with whomever they want. Among them is a significant Cuban-American community, including elected political leaders, judges, university presidents, scientists, business leaders, intellectuals, painters, sculptors and writers who had to leave Cuba to exercise such basic rights. In Cuba, their counterparts continue to pay a horrendous price for seeking freedom and truth. Many of these people hold in their hearts a poem by Heberto Padilla, a great Cuban poet who died in exile:
Say the truth/ Say at the very least, your truth/ And later/ Let anything happen/ Let them tear your cherished page/ Let them stone your door down/ Let the people gather before your body/ As if you were a prodigy or a corpse.
Frank Calzon is executive director of the Center for a Free Cuba, which is based in Washington, D.C.